Synopsis: The final of the four plays of Wellman's Crowtet, Magoo follows the adventures of Curran and Candle -- an expert on "Crowe's Dark Space" -- and their motley assemblage of peers, some of them categorically "unusualist," in the parallel, decidedly unsettled, universe that is distinctly Wellman's. Magoo is chockfull of alternative histories, comprehensive pseudo-sciences, eerily relevant, off-the-map absurdist politics and soft-spoken contacts between humans all vying for attention in the seemingly self-propelled linguistics of Wellman's versification, which at turns recalls Beckett, at others the polymath Pynchon or the more childlike landscapes of Ashbery (in Girls on the Run). The music for The Lesser Magoo, scored for voices, toy piano, ukulele, and violin, was composed by Michael Roth, for both the Los Angeles and the New York productions.